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2020

Noon

Leo Kottke and Mike Gordon

Tracks
  1. Flat Top
  2. Eight Miles High
  3. I Am Random
  4. Noon To Noon
  5. From The Cradle To The Grave
  6. How Many People Are You
  7. Ants
  8. Sheets
  9. Alphabet St.
  10. Peel
  11. The Only One
Album Notes

 
Intricate, warmly askew, and indelibly dexterous, NOON showcases 11 remarkable new tracks created by two of the most accomplished and idiosyncratic instrumentalists in American music. The album – which marks Kottke’s first studio record since his previous collaboration with Gordon, 2005’s 66 STEPS – was recorded in New Orleans and Vermont, with music, exchanged between the two artists by file, tape-sealed boombox, sheet music, and face-to-face. Working with longtime Gordon collaborator, producer/engineer Jared Slomoff, Kottke and Gordon have crafted a singular collection of improvisational mood music, including a stripped-back version of Gordon’s classic “Peel” and Kottke’s stark rethinking of the Byrds’ “Eight Miles High.” NOON further includes a bopping cover of Prince’s “Alphabet St.” featuring Phish drummer Jon Fishman, who also joins Kottke and Gordon on four additional tracks. In addition, the LP includes nearly ambient appearances by pedal steel player Brett Lanier (The Barr Brothers) and cellist Zoë Keating (Imogen Heap, Amanda Palmer, Tears For Fears).

“The vibe is very different from the other two albums,” says Gordon. “I was hearing a darkness in the material Leo was bringing, and some of the material that I wanted to bring, that I thought just reflected going through 10 more years of life. There are overdubs, but it’s still more like you’re in a cafe or a living room with these two guys. And even when we had drums, we wanted to maintain that feeling.”

“I just knew there was a shape and that we were following it,” says Kottke. “We were trying to get to that place that we get to in a little room, just chasing each other. We’ve found that at soundchecks, and at my place, or his place, or some motel room. We wanted to get that late-night feel. It’s a more intimate record than the others are, I think there are depths to it.”