With their third brilliantly crafted and ingeniously intricate album, Temples have found new ground and a deeper, darker creative well. A glorious technicolor infuses much of the album but there is a David Lynch-ian undertone that adds a gravity to Hot Motion’s soaring moments. “It felt like there was a darker edge to what we were coming up with and we wanted to make sure that carried through the whole record,” said bassist Thomas Walmsley. “It’s not a ten track, relentless rock record from start to finish, it’s got a lot of light and shade and more tender moments, but that heavier, darker sound is something we wanted to explore further.”