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Amandla!

“This music expresses the basic human desire for freedom in a way so visceral and bold that no one will find it easy to resist.”

It’s an irony of history that in dire political circumstances, people resort to music, and the creative spark that results is the silver lining on the dark cloud of oppression. Amandla! A Revolution in Four-Part Harmony: The Soundtrack samples a half-century of South Africa’s powerfully uplifting freedom songs, music that literally changed the world.

When Lee Hirsch set out to direct Amandla! A Revolution in Four-Part Harmony — the film about the anti-apartheid struggle in South Africa — he didn’t focus on politicians, activists, or martyrs, but rather on music, specifically on the freedom songs that fueled this unstoppable popular movement. The resulting film, produced by Sherry Simpson, traces the lives of songs through meetings, rallies, guerilla camps, funerals, church services, marches, and demonstrations during the dark decades of apartheid, and through the memories of those who survived the struggle. The film includes songs recorded and performed by leading artists including Miriam Makeba, Hugh Masekela, Abdullah Ibrahim, and Vusi Mahlasela. Amandla! both the film and the soundtrack, vividly demonstrates that freedom songs were first and foremost peoples’ songs.

The role these songs played in bringing about peaceful change in South Africa is perhaps the most compelling musical saga of the 20th century. The accolades for the film came instantly — Amandla! won the Audience Award and the Freedom of Expression Award at the 2002 Sundance Film Festival. And when offered, Dave Matthews’ ATO Records jumped at the opportunity to produce and release the soundtrack.

But turning four decades of music in the film into a coherent album was no simple feat. Matthews’ partner at ATO, Chris Tetzeli says, “We worked on the soundtrack for six months choosing from; the amazing array of studio renditions, winnowing down all the choral pieces, the chants, the freedom songs, and Lee and Sherry’s field recordings. We wanted a record that people would love to listen to, and that would also be an authentic representation of the music of South Africa during the struggle, and the importance that it had in the revolution.”

Beloved South African artist Hugh Masekela’s “Stimela” dramatizes the plight of workers forced into the pain of long separation from their family, and his “Bring Him Back Home” is perhaps the most rousing anthem of the Free Nelson Mandela movement. We hear a honey-voiced, young Miriam Makeba leading a swinging, roots jazz ensemble in jaunty number called “Nants Indonmaya.” Later, we hear her again as a wizened musical matriarch, Mama Africa, singing a soulful refrain from “Bahleli Bonkwe,” clicks and all. Among the album’s emotional choral works is a lush, acapella rendition of the immortal anthem “Nkosi Sikeleli Africa” sung by the Diepkloof Community Choir of Soweto, and also a live recording of a cast of thousands singing as one at the rally that followed Mandela’s election as president in 1994.

To hear politician-turned-activist-singer Vusi Mahlasela’s soaring, horn-like voice and deeply soulful lyrics on “When You Come Back,” or Mbongeni Ngemi’s jazz-tinged anthem, “Lizobuya,” with a choir of voices rising behind his raspy musical oratory, is to feel the spirit rising within you. You quickly understand how black South Africans were able to communicate the inevitability of their victory so convincingly that white rulers abandoned their fight without resorting to war.

Mahlasela is widely featured in the film – one scene from 1994 follows him as he votes for the first time ever – and he contributes three songs to the soundtrack. As it turns out, one of his biggest fans is fellow South African Dave Matthews. Known as ‘The Voice’ in South Africa, Vusi is featured on the title track of Dave Matthews Band’s 2001 release ‘Everyday’. From the moment Matthews created ATO Records, he was keen to release Mahlasela’s music in the United States. Vusi’s US debut is currently schedule for a Spring 2003 release on ATO. The admiration for Vusi and the respect for the film are shared by all at ATO. “This documentary is a marvel,” says Matthews, “an extraordinary achievement. Not one person should miss this film. Not one.”

Amandla! A Revolution in Four-Part Harmony will be released to theatres by Artisan February 17, 2003, and will air on HBO in the spring. Amandla! The Soundtrack will be released on February 4, 2003. This music expresses the basic human desire for freedom in a way so visceral and bold that no one will find it easy to resist.

— Banning Eyre

“Overdue” Valentines Day Download

“Baby be my valentine!” In honor of this special day for all of you hopeless romantics, we are offering a free download of Danny’s live performance of “Overdue” from the KUT studios in Austin. Spread the love to that special someone with this e-card!

Sorry, these are no longer available : (

Danny Barnes at Mountain Stage

Danny returns to the legendary Mountain Stage in Charleston, WV on February 14th to perform with good friends Robert Earl Keen, Ray Willie Hubbard, The Sweetback Sisters, and Darell Scott.  Stay tuned for future broadcast dates!

Tickets available online: www.mountainstage.org <http://www.mountainstage.org>  or by calling 800-594-TIXX.


ADV Tickets:$12.50; DOS: $20.

WDVX ‘BLUE PLATE SPECIAL’ IN KNOXVILLE & NASHVILLE HEADLINE PERFORMANCE

For those of you in Tennessee, Danny will be performing live at noon on Tuesday, February 16th as part of WDVX ‘Blue Plate Special’ concert series which will be broadcast and webcast live. For those of you who can’t make it to the show, you can stream Danny’s performance in its entirety live at wdvx.com/webcast. On Thursday, Danny will be performing a solo set in Nashville at Matt’s Alley. Tickets are on sale now!

Danny Performing at Folk Alliance Conference

Danny will be returning to Memphis to perform at this year’s 22nd Annual Folk Alliance Conference in Memphis, TN on Friday night, February 19th at 10:00 PM. The conference is a 5-day event that draws together the most significant music industry professionals from throughout North America and the world to share ideas, network, and celebrate traditional music and dance. All Folk Alliance Conference Events will take place at the Memphis’ Downtown Marriot and Cook Convention Center, February 17-21, 2010. For more information/ registration/ticket details, visit the Folk Alliance website at www.folkalliance.org

The Whigs – In the Dark Release and Touring With Black Rebel Motorcycle

If you’ve been dying to know when the new Whigs album, In the Dark, is coming out then you’ll be pleased to know it is set to be released March 16th.  They were ready to write their new album and had lots of ideas drawn from their time touring and traveling.  It all came together smoothly and it shows.  Be sure to check out In the Dark March 16th!

If waiting until their album is dropped to hear some Whigs seems too far away, be sure to take a look at the tour dates listed on their website (http://www.thewhigs.com/tour) for a chance to see them live beginning February 4th.  They will be playing with the Black Rebel Motorcycle Club and the Royal Bangs, depending on the show.

Click here to check out two songs from “In The Dark”

Drive-By Truckers: The Big To-Do Available 3.16.10


UPDATE: Check out the debut of debut of the song “This Fucking Job” over at Stereogum

New York, NY—ATO Records is pleased to announce the signing of Drive-By Truckers and their label debut, The Big To-Do. The album, which will be the band’s tenth in their thirteen-year career, is scheduled to be released March 16, 2010. The Big To-Do features thirteen new tracks from the Drive-By Truckers and was produced by their long time producer, David Barbe (Sugar, Bettye LaVette). “It’s very much a rock album,” says Patterson Hood of the Trucker’s upcoming release. “Very melodic and more rocking than anything we’ve done since disc 2 of Southern Rock Opera.”

The inspiration for The Big To-Do came to the band during their time on the road. “We’ve often set our songs and albums in different periods of time, but this one finds us directly in our present. Riding all through the highways of America (and Europe) trying to make sense of a very different world than the one we grew up in,” says Hood. “I don’t write a lot of songs on the road, but I did more than usual on this album and many more were inspired by or set there, either in a literal sense or something I witnessed or heard about while I was out there.”

The Trucker’s sense of purpose in writing this album translates into a delicious assortment of Trucker songs themed loosely around crime and (self-) punishment. “The Wig He Made Her Wear,” Patterson says, is both a true story (as seen on Court TV) and the closest he’s come to making the movie he started out to make a decade or more back. “The Fourth Night of My Drinking” will speak for itself, and “This Fucking Job” (paired thematically with Cooley’s wry “Get Downtown”) is arguably the most political song the Truckers have made since “Living Bubba.” Which leaves the deceptive, airy simplicity of Shonna Tucker’s “You Got Another” and “(It’s gonna Be) I Told You So” to reckon with.

The Drive-By Truckers will be hitting the road at the beginning of the new year.  A full tour supporting The Big To-Do will be announced in early 2010.

Drive-By Truckers on tour:

1/28 Huntsville, AL  Crossroads Music Hall

1/29 Mobile, AL        Soul Kitchen

1/30 Tuscaloosa, AL  Jupiter Bar & Grill

2/11 Greenville, SC   Handlebar

2/12 Raleigh, NC       Lincoln Theatre

2/13 Raleigh, NC       Lincoln Theatre

2/14 Knoxville, TN    Bijou Theatre

2/25 Charlotte, NC     Neighborhood Theatre

2/26 Charlottesville, VA  Jefferson Theatre

2/27 Charlottesville, VA  Jefferson Theatre

Check back soon for more tour dates.

Rodrigo y Gabriela Kick Off U.S. Tour w/Today Show Appearance

Rodrigo y Gabriela rocked the Today Show this morning with this stellar performance of “Hanuman.”

The duo will be starting their U.S. tour this Sunday.  Catch them at one of the dates below.

Tour Dates

Feb 28, 2010 – 9:30 Club Washington, DC

Mar 1, 2010 – 9:30 Club Washington, DC

Mar 2, 2010 – Byham Theater Pittsburgh, PA

Mar 5, 2010 – Phoenix Concert Theatre Toronto, ON, Canada

Mar 6, 2010 – Royal Oak Music Theatre Royal Oak, MI

Mar 7, 2010 – Brown Theatre Louisville, KY

Mar 9, 2010 – The Pageant Saint Louis, MO

Mar 10, 2010 – Madison Theatre Covington, KY

Mar 12, 2010 – Ryman Auditorium Nashville, TN

Mar 13, 2010 – Center Stage Theatre Atlanta, GA

Mar 15, 2010 – Orange Peel Asheville, NC

Mar 16, 2010 – North Charleston Performing Arts Center North Charleston, SC

Mar 17, 2010 – House of Blues Orlando Orlando, FL

Mar 20, 2010 – The Fillmore Miami Beach at The Jackie Gleason Theater Miami Beach, FL

Mar 21, 2010 – Ritz Ybor Tampa, FL

Apr 29, 2010 – Radio City Music Hall New York, NY

May 15, 2010 – The Hangout Festival Gulf Shores, AL

‘Pizza Box’ Release Week Tour Dates

Danny will be embarking on a mini-tour to the East coast to support the release of ‘Pizza Box’. The show at Joe’s Pub in New York will feature special surprise guests! Tickets on sale now! See below for dates:

1/19 Tues – Annapolis, MD, Ram’s Head Onstage
1/20 Wed – New York, NY, Joe’s Pub
1/21 Thur – Philadelphia, PA, World Café Live
1/22 Fri – New York, NY Roseland Ballroom (with moe., Butch Trucks, Jeff Austin, and more)

National CD Release, ‘Pizza Box’ IN STORES TODAY!

Today marks the nationwide release of ‘Pizza Box’, by banjo pioneer and visionary, Danny Barnes. The lead single at Americana, “Overdue”, features familiar background vocals by fan and friend, Dave Matthews, who is a champion of the project and releasing the John Alagia produced album on his label, ATO Records. Known early on for his work with the seminal Austin alternative country band, the Bad Livers (Sugar Hill), Barnes has developed a profile for himself as one of the most progressive and genre-bending artists of his craft.

With ‘Pizza Box’, Barnes spins tales of American life like a latter-day John Steinbeck, wielding banjo and pen with equal effect, and the character of his voice as the perfect mouthpiece to truly bring these songs and stories to life. ‘Pizza Box’ comes stuffed with sharp hooks and addictive vocal and instrumental melodies, but it’s Barnes skills as a storyteller that shine strong. He tells tales with the wry wit and humor of Garrison Keillor, the lyrical eccentricities and intellect of Randy Newman, performed with the southern twang and swagger of Levon Helm. Barnes combines and blends all of these elements into a style that is uniquely his own.