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Watch Drive-By Truckers Perform on Letterman

Drive-By Truckers make their Late Show debut with “This F*cking Job”

WATERLOO RECORDS IN-STORE VIDEO

Special thanks to all 100 plus of you who came out for an amazing show of support to see Danny’s in-store performance at the legendary Waterloo Records in Austin.


Danny @ SXSW

Those of you attending the annual South By Southwest Music Conference are in for a treat this year, as Danny will be performing several times and making multiple promotional appearances. Check out the tour page for a detailed listing of events. For those of you not attending, be sure to check out the tour page for information on webcasts and local radio broadcasts.

Killer reviews of The Whigs, “In The Dark”

Vanity Fair reviews The Whig’s new album, “In The Dark”…the verdict, buy it! Check out exactly what they had to say about it:

Buy It, Steal It, Skip It: Music Releases for the Week of March 1

The Whigs In the Dark (ATO)
Whatever happened to all the death and sex and ear-splitting guitars in rock music? In contrast to wimpy indie-rock singers channeling their inner M.F.A. student while asleep at the wheel of their Fenders, The Whigs, out of Athens, Georgia, sound like a whiskey-soaked bolt of electricity coming through your speakers. For a trio, The Whigs are loud, like turn-down-the-volume-on-my-iPod loud, part of which should be credited to their beastly drummer, Julian Dorio, whose drum skins take a more persistent beating than the Detroit Lions. The Whigs have all the elements of a boozy rock band—a scratchy-throated lead singer, no-fuss chord progressions, the constant stammer of crash cymbals—but it’s hard to deny their pop sensibilities, which is what makes them instantly likeable: My ears hurt, but, wow is this catchy. On In the Dark, the third release from the band, there is enough unabashed pop laced with sweaty southern thrashing to whet any rock and roll fan’s appetite.

Verdict: Buy it


ROLLING STONE: 3.5/5 “The band’s third disc is the sharpest distillation of its neo-college rock yet”

UNCUT: 8.5/10

Austin In-Store at Apple

For those of you not able to attend his performance at Waterloo last month, Danny will be making a special in-store appearance at the Barton Creek Apple Store, performing songs from ‘Pizza Box’ using Ableton software on his MacBook Pro. The performance begins at 7:00 PM, and the store is located at 2901 S. Capital of Texas Highway and can be reached at (512) 347-7888. Help spread the word on this special opportunity to hear Danny talk about constructing his show and using technology as a creative medium…forward this e-mail to a friend!

Reviews in Rolling Stone, New York Times, and All Music Guide

‘Pizza Box’ continues to make waves among the critics, with notable reviews in Rolling Stone, the New York Times, and All Music Guide. Below are some abbreviated quotes, click on the source for full review:

“Texas country rocker Danny Barnes likes to do wild things with his banjo…his seventh solo album, Pizza Box, is a collection of banjo-based songs set against big rock (“Road”), Memphis-style horns (“Sparta, TN”), barnstorming juke-joint blues (“Misty Swan”) and even a shuffling, hip-hop-style beat (“Sleep”). Barnes is a clever lyricist with a punk-rock past who understands the raw simplicity of a good country tune.”
-ROLLING STONE

“Playing the banjo puts roots in Danny Barnes’ roots-rock, and so does a fondness for country and blues structures in his songs…but his album “Pizza Box” (ATO) doesn’t backdate itself. Mr. Barnes, 47, tells contemporary tales that are wryly observant. Some songs hint at the Band, but Mr. Barnes also cranks up to feedback volume on the stomping “Road.” Behind his down-home magical realism is an underlying benevolence: In “Overdue,” he sings, “I’m learning to forgive you baby/Would you forgive me too?”
-NEW YORK TIMES

“Although Barnes is a banjo picker, on Pizza Box he bravely goes where no man has gone before – with the instrument, and with arrangements that borrow elements of hard rock, R&B, rap, electronica, and country music. His lyrics, as always, are full of snide humor and keen insight, and while he claims he’s not a masterful picker, his solo excursions on the banjo are full of unexpected twists and turns. Pizza Box is a long way from the punky bluegrass of the Bad Livers, and may be the best album Barnes has ever made.”
-ALL MUSIC GUIDE

JEFF AUSTIN AND FRIENDS COLORADO TOUR

Danny will be joining his good friend Jeff Austin of the Yonder Mountain String Band along with Split Lip Rayfield’s Eric Thorin and Wayne Gottstine for a five show mini-tour in Colorado. Tickets on sale now!

3/10 Ft. Collins, CO- Aggie Theatre
3/11 Breckenridge, CO- Three 20 South
3/12 Denver, CO- Bluebird Theatre
3/13 Boulder, CO- Fox Theatre
3/14 Nederland, CO- TBD

Danny Barnes On Tour with Mike Gordon of Phish

We are thrilled to announce that Danny will be touring with the legendary Mike Gordon of Phish on his upcoming run of Northeast dates in March! Tickets on sale now!

3/5 Troy, NY- Revolution Hall
3/6 New Haven, CT- Toad’s Place
3/7 Stroudsburg, PA- Sherman Theatre
3/9 Baltimore, MD- Ram’s Head Live

Dawes “When My Time Comes” Live at Bowery Ballroom

Dawes played an unbelievable show at the Bowery Ballroom in NYC last Friday. Here’s a live video of “When My Time Comes” from their debut album “North Hills”

Rodrigo y Gabriela

www.rodgab.com

Keep it simple.

It’s easy to forget sometimes. Like when you are looking out across a riot of 35,000 smiles at the Hollywood Bowl, with a 40 piece orchestra exploding behind you.

Like when someone asks you, very politely, if you could just do that 16 second piece of score for the animated cat; again please?

Or even when you’re melting in humid Havana, translating an alien musical language with some cool Cuban compadres.

Keep it simple. Strip it back. Remember where you came from.

These words kept coming back to Rodrigo Sanchez and Gabriela Quintero, from their humble roots busking in Dublin, playing Metallica bossa nova style in hotel bars for their own amusement; before they became one of the biggest selling acoustic instrumental acts in the world.

After finishing the successful “Area 52” album in Cuba, and taking it on the road with Cuban musicians, Rodrigo y Gabriela decided to downsize. After all, it’s a short step from tour to entourage, so go back to basics, rediscover the joy of playing face to face, guitar versus guitar, rhythm and melody.

Gabriela: “My idea was to record it as if we were to playing a live gig in your living room”.

First and foremost, Rodrigo y Gabriela’s new album “9 Dead Alive” is a FEEL record. It’s closest relative in the RyG canon would be 2006’s self-titled break-out album. The playing is intuitive, the sound is intimate, the results are spectacular: bursting with melodic energy and rhythmic invention.

Recorded at their Pacific Coast hideaway in late summer, the album captures the warmth and spontaneity of two great musicians riffing and jamming together; perfectly distilled into 9 new songs teeming with desire, elegance and gusto.

Where does the inspiration for this luminous, unadulterated music come from? Remember where you come from, remember your gifts are slender compared to the sacrifices of others. Each of the songs on the album is a personal celebration of individuals who have passed on, but through their deeds and words still resonate in the 21st century.

Going as far back as Eleanor of Acquitaine (1122 – 1204) to Viktor Frankl (1905 – 1997), and including a tribute to one of Rod & Gab’s enduring touchstones – animals and nature. The nonet celebrated in this diverse and fascinating list will strike a chord with anyone familiar with the duo’s passion for human rights, literature, history and philosophy.

Rodrigo y Gabriela left Mexico at the end of the millennium. Since then they have played for presidents, toured the world many times over, written soundtracks for Hollywood block-busters, and sold over 1.5 million albums. “9 Dead Alive” sees them bring their timeless music all the way back home.

Simple.

 

Tracklisting

  1. The Soundmaker (Antonio de Torres Jurado: 1817 – 1892)
  2. Torito (animals and nature)
  3. Sunday Neurosis (Viktor Frankl: 1905 – 1997)
  4. Misty Moses (Harriet Tubman: 1820 – 1913)
  5. Somnium (Sor Juana Ines de la Cruz: 1651 – 1695)
  6. Fram (Fridtjof Nansen: 1861 – 1930)
  7. Megalopolis (Gabriela Mistral: 1889 – 1957)
  8. The Russian Messenger (Fyodor Dostoyevsky: 1821 – 1881)
  9. La Salle Des Pas Perdus (Eleanor of Acquitane: 11-22 – 1204)