27.03.2020 news

Margaret Glaspy’s New Album ‘Devotion’ Out Today


Performing on CBS This Morning: Saturday Sessions Tomorrow, March 28



“Margaret Glaspy has evolved. Devotion… sways with the confidence of knowing that whichever decision you make is the right one, no matter what.” – MTV


Devotion is a study in contrasts and cohesion: each song sounds further afield from Emotions and Math, yet every verse fortifies Glaspy’s voice and the vulnerability she chooses to embrace in life, love and a world gone mad.” – BILLBOARD


“Margaret Glaspy’s songs are deeply personal, often peppered with humor and heartache.” – NPR MUSIC


“Margaret Glaspy stun[s] us with her commanding guitar work and penchant for amorous songwriting.” – STEREOGUM


“Building on a well-received debut, and taking a bold step in a new direction… It’s an impressive feat that Glaspy manages to do both at once.” – PASTE


“Over the course of 12 songs, Glaspy takes listeners through the full spectrum of heart-centric matter, from in-love to lovelorn, and it’s all connected through consistently excellent vocal work and a bold sonic landscape.” – NO DEPRESSION


“Twelve love songs that unflinchingly delve into the tender heart and dark underbelly of relationships, commitment, and romance.” – UPROXX


“Under all the new technique… is the same powerful singer-songwriter who won fans over in the first place.” – CONSEQUENCE OF SOUND


Margaret Glaspy is thrilled to celebrate the release of her sophomore album Devotion, out today. Praised as “starkly beautiful” (Rolling Stone) and an “exhilarating departure from her previous work” (American Songwriter), Devotion finds the New York singer/songwriter daringly exploring new sonic textures while still showcasing the incredible guitar skills and candid songwriting that first endeared her to fans and critics. “The biggest centerpiece for the record is a sense of vulnerability and earnestness,” Glaspy recently told Uproxx in an interview. “My little corner that I found was most interesting was being vulnerable, where you can just say how you feel and not create boundaries around it.”




Today Margaret also shares a new live video of her performing her plaintive single “Stay With Me” at Atomic Studios in Brooklyn’s Red Hook — the same studio where the album was recorded — alongside keyboardist Eric Lane and drummer Tim Kuhl. Watch “Stay With Me (Live)” below and don’t miss the previously released live version of “Devotion” and the official music video for “Killing What Keeps Us Alive.”




Don’t miss Margaret Glaspy performing “Killing What Keeps Us Alive,” “Stay With Me,” and “Devotion” on CBS This Morning: Saturday Sessionstomorrow, March 28 at 7-9am ET. Margaret and her band worked with the CBS crew to record a socially distanced session at The Bridge Studio inBrooklyn.






On Margaret Glaspy’s long-awaited second album, Devotion, this highly acclaimed young artist reaffirms her status as one of the most sharp-eyed singer-songwriters of her generation while managing to fearlessly reinvent her sound. The results are as exhilarating and defy expectations.



Coming home after nearly three years on the road in support of her 2016 debut album Emotions and Math and the 2018 follow-up EP Born Yesterday, Glaspywas eager to challenge herself as an artist and start to make a new album with a clean aesthetic slate. Her bold experimentation has paid off, with tunes that are her most melodically confident, rhythmically compelling, and often incredibly romantic. The arrangements are unexpectedly lush at times, especially on the torchy “Heartbreak,” and often boast an impressive groove, on such tracks as “You’ve Got My Number” and the title song, “Devotion.” Glaspy announces her radical approach at the very start of Devotion, where digitally altered voices serve as the prelude to “Killing What Keeps Us Alive,” and she fills the album with surprising sonic touches, right up to the haunting electronics-and-voice soundscape of album closer “Consequence.”



On Devotion, Glaspy has not only transformed but evolved. The distinctive personality that marked Emotions and Math is still very much in evidence here. On her debut, Glaspy could be bracingly direct as she chronicled the trials of being alone or the tribulations of being together. She brought swagger, as well as sensitivity, to her lyrics and her performances. On Devotion, she still does, but her perspective has changed: “This record is very different from the last. It’s not about being righteous or all-knowing, it’s about letting love in even when you don’t know what will happen when you do. It’s about devoting your heart to someone or something, against all odds.“



Glaspy toured throughout the USA, Europe, China and Australia behind Emotions & Math including dates with Wilco and The Lumineers among others – she also appeared on NPR’s Tiny Desk, CBS Saturday Morning and Late Night With Conan O’Brien. Finding herself in her Brooklyn apartment after all of her travels, Glaspy admits, “It was such a shift for me that I didn’t know what to do with myself when I closed that chapter. I was feeling pretty shy. I like to be alone and I had constantly been around people for two or three years straight. I took a long breath, reorienting myself, trying to find my in to get inspired and to get excited about making records again.”



Glaspy enlisted L.A.-based producer and multi-instrumentalist Tyler Chester, who has collaborated with Blake Mills and Jackson Browne among many others, to produce Devotion – recorded at Atomic Sound in Red Hook, Brooklyn, where they recorded the bulk of Devotion. “Tyler and I proved to be a very good match in the studio. I love being very hands-on with my records and he was a force of nature without restricting my sense of what the record should be. His instincts and ability are truly inspiring.” They brought in Glaspy’s touring drummer Tim Kuhl to complete the picture with his brilliantly artful and austere sense of the kit paired with Chester’s programming. Brooklyn based engineer, Mark Goodell captured these performances masterfully and James Krausse (Los Angeles) mixed Devotion in a way that Margaret says “she has always envisioned her music sounding like.”



“It has been amazing to be able to stretch out, to not define myself just by the music I make, but to follow my nose toward all the things that make me happy.” A good example being Glaspy enlisting herself in distance education through Harvard University to fulfill her dream of getting an education outside of music. “Embracing being a student has made me feel like a child again and I think that has helped to propel my music forward so much more. My brain feels happy.”



Devotion, then, is like a series of hard-earned life lessons. Glaspy’s evolution over the last few years has been both musical and personal, which makes the album that much more compelling: “I’m learning that life is painful but you take the bad with the good; that love is hard but if you love someone, you make yourself available; that life is short and it’s okay to be sincere. I’m starting to be able to write about these things and it’s a feat for myself as an artist and growth for me as a person.”

margaretglaspy.com | Facebook | Twitter | Instagram

14.03.2020 news

Honey Harper’s Cosmic Country Debut “Starmaker” Is Out Now

Honey Harper’s Debut Album Starmaker Is Out Now!

Order Here


Honey Harper’s celestial cosmic country debut album Starmaker, is now available everywhere.  Starmaker comes as a collection of contradictions in both subject matter and style. Written with his wife and writing partner Alana Pagnutti over the past three years, the album itself is primarily about the journey to create it. Its self-awareness is largely the result of Harper’s inner monologues about his fear of failure, desire for success, and the toll that journey has taken on him and his loved ones. It’s an attempt at honesty through the veil of a country singer lost in the stars.

After explorations in other vastly different styles, Harper recognized the value he could add to a genre with beautiful sounds but negative connotations. On Starmaker, Harper seeks to revitalize country music for people who don’t like country music.



The latest offering from the album, “In Light Of Us,” arrives with a fittingly tender video. Directed by Joshua Gary, the visual compiles VHS footage of Harper and his friends (including the director) from the ages of 15 through 21, the song an ode to them and the times they spent together. Harper says it best: “When I turned 18 I left home and moved to Decatur, GA with my best friends. ‘In Light of Us’ is a significant song for me as it represents that time; the light and dark psychedelic paths that led and inspired the beginning of my journey to Starmaker.” 



The album itself is primarily about the journey to create it, following his mysterious emergence with “Secret” from 2017’s critically-acclaimed Universal Country EP. The new album’s self-awareness is largely the result of Harper’s inner monologues about his fear of failure, desire for success, and the toll that journey has taken on him and his loved ones. It’s an attempt at honesty through the veil of a country singer lost in the stars. With album appearances from Sébastian Tellier, Austra, and John Kirby, the contrast of the songs becomes even more apparent and set Honey Harper apart to become the torch-bearer for a revitalized country sound.


06.03.2020 news

Danny Barnes’ “Man On Fire” is out now! Watch “Hey Man” Clip Starring Dave Matthews.

“A clever lyricist with a punk-rock past who understands the raw simplicity of a good country tune.” – Rolling Stone

“While many players use the banjo to show what they can do, Danny Barnes uses it to show who he is—something so rare that we have to look back decades for comparisons.” – Bluegrass Today


Banjo virtuoso Danny Barnes releases his new album Man On Fire today alongside a video for his single “Hey Man” that stars the record’s executive producer Dave Matthews. Directed by longtime Dave Matthews Band lighting designer and video director Fenton Williams, the video has Matthews playing the part of a lonesome vagabond searching for a place to lay his head.



In an interview with Billboard, Barnes says, “[Matthews] and I were thinking that we ought to do a video, and he’s such a good actor. Dave’s really great with facial expressions.” Of the video’s plot, he adds, “A lot of my poetry is about being stuck in that moment where you don’t really know what you’re gonna do. It deals a lot with someone trying to find dignity as a poor person.” Barnes encourages fans to visit and get involved with the charities Mary’s Place Seattle and the National Coalition for the Homeless.

Man On Fire features Led Zeppelin’s John Paul Jones on bass and mandolin, Bill Frisell on guitar, Matt Chamberlain on percussion, and Matthews himself on vocals and Wurlitzer. It is available for purchase HERE.


Originally from Texas, Barnes was a founding member of the influential roots-punk band the Bad Livers before relocating to the Pacific Northwest. He has been hailed as “smart, literate, innovative, and endlessly creative” (No Depression) and “A clever lyricist with a punk-rock past who understands the raw simplicity of a good country tune” (Rolling Stone). In 2015, Barnes was awarded the Steve Martin Prize for Excellence in Banjo and Bluegrass, hailed as “one of bluegrass music’s most distinctive and innovative performers.”



“Normally I work by myself,” says Danny Barnes. “I’ve learned to make records pretty quickly on my own over the years, but this time around I wanted to slow things down and open up the process to a circle of friends whose musical input I really value, to collaborate with a small handful of artists I consider to be true masters.”

Take a glance through the liner notes of Man On Fire, Barnes’ remarkable new album for ATO Records, and you’ll be sure to recognize quite a few of those masterful friends. There’s Led Zeppelin’s John Paul Jones, who contributed bass from London; jazz pioneer Bill Frisell, who laid down guitar in Brooklyn; session wizard Matt Chamberlain (Bruce Springsteen, David Bowie), who cut drums in LA; and executive producer Dave Matthews, who helped shepherd the whole collection from the very beginning. As star-studded as the album may be, it’s Barnes who shines brightest throughout, his virtuosic banjo and unassuming vocals front and center as he delivers poignant portraits of everyday folks struggling to get by in a world that’s been rigged against them. The songs here walk the line between past and present, fusing old-time tradition with modern experimentalism as they draw on a wide swath of American musical history, from Appalachian folk and Memphis rockabilly to Kentucky bluegrass and Bakersfield country. Ably guided by the subtle touch of producer Geoff Stanfield (Sun Kill Moon, Firehorse), the resulting collection manages at times to be both hilarious and heartbreaking, reaching out for hope wherever it appears but forging ahead with dignity and self-respect even when it’s nowhere to be found.

“To me, the fundamental question of life is, ‘How do you lay your burdens down?’” says Barnes. “There are so many powerful entities stacked against a person, especially a regular, unmoneyed person, but I think that just by realizing what’s happening to you, by recognizing the forces at play, you can start to regain some of your power.”

Growing up in rural Texas, Barnes learned firsthand what it took for working class men and women to survive. The son of an iron ore miner-turned-tractor salesman, he spent much of his childhood around farmers and tradesmen, which led to a natural affinity for the kind of earthy, organic music that reflected their stories. Already a prodigious banjo and guitar player by his teenage years, Barnes left home to study audio production at the University of Texas in the early ’80s, and it was there in Austin that he launched the Bad Livers, a groundbreaking trio with a wildly eclectic sound that mixed bluegrass, punk, jazz, and metal. Hailed by Rolling Stone for their “striking blend of virtuoso flash and poignant simplicity,” the group would release seven studio albums during their decade-long run, earning praise everywhere from The Washington Post to The Times of London and carving out a path for future string band genre-benders like The Avett Brothers and Old Crow Medicine Show along the way.

When the Bad Livers dissolved in 2000, Barnes embarked on a new chapter, touring and recording under his own name and collaborating with a wide range of prominent songwriters including Bela Fleck, Lyle Lovett, Robert Earl Keen, Dave Matthews Band, and members of the Butthole Surfers, Dead Kennedys and Ministry among others. As a solo artist, he released more than a dozen critically acclaimed record, took home the prestigious Steve Martin Prize for Excellence in Banjo, and helped redefine the instrument’s possibilities with an innovative approach he dubbed “folktronics.”

“I liked to imagine this guy in a rural area who discovered all of this electronic machinery from the ’50s and ’60s just laying around in his yard,” explains Barnes, who now calls Washington State home. “I wanted to make songs that sounded like some hillbilly got a hold of a bunch of oscillators and stuff and incorporated it all into a hoedown. That weird conflict of old and new has always been a part of my music.”

Indeed, Man On Fire is no exception. Barnes’ characters on the album are timeless figures grappling with the essential questions of their humanity. They could live in any era, and though their portrayals are richly detailed and grounded in modern reality, the reckonings they face and revelations they come to are universal in nature.

“I’m an unusual guy in that I don’t like to write about myself much,” Barnes explains. “A lot of my ideas come from reading the Bible and observing the world around me. On some level, we’re all just trying find beauty and happiness and fulfillment within a system that doesn’t necessarily have our best interests at heart, and I think the role of music and art and poetry is to provide catharsis in the face of all that.”

In the case of Man On Fire, that catharsis begins with funky album opener “Awful Strange,” which finds its narrator coming to terms with the reality that his life and his labor are cogs in someone else’s wheel. It’d be easy to give up in the face of such a realization, but in Barnes’ telling, that knowledge comes with possibility, and the song, like much of the album, manages to find a glimmer of promise in otherwise desperate straits. The hypnotic “Coal Mine,” for instance, hints at vintage Alan Lomax field recordings in its Sisyphean portrait of keeping your head up even when escape seems impossible, while the modal “Zandapp,” which features Matthews singing the verses, finds a ray of light against the darkness in a little Austrian motorcycle, and the infectious “It’s Over” tumbles out of the speakers in a melodic cascade as its narrator keeps the faith that he’ll make it through the storm he finds himself in.

“Country, bluegrass, rock and roll, it was all designed to provide real service to humanity, to be a balm against the cruel reality of this physical plane,” says Barnes. “It was a doorway to a vast cosmos that could give you strength and lift you up. My mother grew up on a sharecropping farm in central Texas, and they’d pull the car up to the house at night and run the radio off the battery just so they could listen to the Grand Ole Opry. People forget how much this music used to mean because nowadays it feels more like advertising or lifestyle branding, but I’m trying to capture that relevance, that spiritual connection, that essence of where it came from.”

While Barnes touches on the political with the album, it’s never about left vs. right, but rather have vs. have-not. The timely “Enemy Factory” finds history repeating itself as the ruling class tells the rest of us who to hate, while the lilting “Mule” imagines life on the farm from a working animal’s perspective, and the wistful “Hey Man” relays the tale of a drifter just searching for a warm place to sleep. It’s perhaps the heartbreaking “The Less That I Know,” though, that most embodies the album’s central conflict: do we bear witness to the pain and suffering of this world, or do we shield ourselves by looking away when it all becomes too much to endure?

With Man On Fire, Barnes insists that we not only bear witness, but that we also step outside of ourselves, that we treat our brothers and sisters with the empathy and grace they deserve. In that regard, it makes perfect sense that he would open up the album’s creation to a circle of trusted friends and collaborators who could bring their own perspectives and histories to the music. These are troubling times, no doubt, but Danny Barnes wants you to know we’re all in it together.

02.03.2020 news

Chicano Batman Announce New Album ‘Invisible People’ Out May 1

Lead Single “Color my life” Out Now Exclusively via Rolling Stone 


The Los Angeles Alternative Mainstays Return to Coachella


Expansive 30+ Date North American Headline Tour Presented by Johnnie Walker to Kick off April 8th


To Play LA’s Shrine Expo Hall and NYC’s Webster Hall 

Pre-Order Invisible People HERE: http://smarturl.it/invisiblepeople



Los Angeles psych-soul four-piece Chicano Batman announce Invisible People, out May 1. The follow-up to 2017’s critically-acclaimed Freedom Is Free is also their most sonically-varied and cohesive. The record is a statement of hope, a proclamation that we are all invisible people, and that despite race, class, or gender we can overcome our differences and stand together.



For the album, the band worked with Shawn Everett, the GRAMMY-award winning mixing engineer known for his work with Alabama Shakes, War on DrugsKacey Musgraves, and Julian Casablancas. With Leon Michels’ (Sharon Jones & The Dap-KingsLee Fields & The Expressions) producing and Everett’s mixing steering the record’s direction, the band’s lush Tropicalia-tinged sound has transformed into their most polished and densely layered. Invisible People is an illuminating and encapsulating sonic landscape, one that hasn’t lost the essence that put Chicano Batman on the map.


The group who combine “soul, surf and Tropicália into a raging blend of fire and excitement” (Rolling Stone) are celebrating the announcement with a new single and video for “Color my life.” Directed by George Mays, the video is a psychedelic collage of visuals that sees the band grooving to synths amongst palm tree-studded backgrounds of Los Angeles’ streets, beaches, and boardwalks.


Check Out Official Music Video for “Color my life”


Flaunting their “laid back lounge grooves…R&B with flavors from Mexico or Brazil and a funky swagger” (NPR) that they’ve become so known for, “Color my life” places the listener in a hazy, California dream.


“[It’s a] neck breaker from the future, beckoning a retreat to nature in the apocalyptic dawn,” says lead singer Bardo Martinez of the track and accompanying visuals. “This is Chicano Batman’s new single for all generations past and for all those yet to be born. Everything is everything, brothers and sisters.”


Pre-Order Invisible People HERE: http://smarturl.it/invisiblepeople


Chicano Batman will embark on an expansive U.S. tour in support of Invisible People which will take the “politically astute” (Billboard) group across both coasts, including stops at New York City’s Webster Hall and LA’s iconic Shrine Auditorium, their largest venue to date. After earning a coveted spot in 2015’s Coachella line-up, the band will return to Indio this year to play the Festival this year.




“collide soul, surf and Tropicália into a raging blend of fire and excitement” – Rolling Stone


“a pitch-perfect voice of the resistance”- Billboard


“a deeper dimension of sly pop culture references, unapologetic Latin pride, and the thoughtful exploration of popular music’s all pervasive black roots”- Noisey


“laid-back lounge grooves and a funky swagger” – NPR


“You need to know Chicano Batman…with their combination of soul, pop, tropicalia and psych” – THE GUARDIAN



*w/ Le Butcherettes


Wednesday, April 8th — Santa Fe, NM —Meow Wolf


Thursday, April 9th — Phoenix, AZ —Van Buren^


Friday, April 10th — Indio, CA — Coachella


Wednesday, April 15th — Indio, CA — Chella


Friday, April 17th — Indio, CA — Coachella


Wednesday, April 29th — Kingston, NY —BSP Kingston*


Friday, May 1st — New York, NY —Webster Hall*


Saturday, May 2nd — Boston, MA — Paradise Rock Club*


Sunday, May 3rd — Philadelphia, PA — Union Transfer*


Monday, May 4th  — Toronto, ON — Mod Club*


Wednesday, May 6th — Detroit, MI — The Magic Stick*


Thursday, May 7th  — Indianapolis, IN — The Vogue*


Friday, May 8th — St. Louis, MO — Ready Room*


Saturday, May 9th — Chicago, IL — Concord Music Hall*


Sunday, May 10th — Minneapolis, MN — First Avenue*


Friday, May 15th — Seattle, WA —Showbox*


Saturday, May 16th — Portland, OR — Crystal Ballroom* 


Monday, May 18th — Salt Lake City, CO — Metro Music Hall*


Tuesday, May 19th — Denver, CO — Gothic Theatre*


Thursday, May 21st — Las Vegas, NV — Brooklyn Bowl*


Friday, May 22nd  — San Diego, CA — SOMA*


Friday, May 29th — Los Angeles, CA — Shrine Expo Hall^*


Saturday, May 30th — San Francisco, CA — Warfield Theatre^*


Friday, June 5th — Mexico City, MX — TBA


Sunday, June 7th — El Paso, TX — Lowbrow Palace* 


Tuesday, June 9th — McAllen, TX — Cine El Rey*


Wednesday, June 10th — San Antonio, TX — Paper Tiger*


Thursday, June 11th — Dallas, TX — Granada Theater*


Friday, June 12th — Houston, TX — White Oak Music Hall*


Saturday, June 13th — Austin, TX — Emo’s*


Sunday, June 14th — Oklahoma City, OK — The Jones Assembly*


Wednesday, June 17th — Orlando, FL — The Abbey*


Thursday, June 18th — Miami, FL — The Ground*


Friday, June 19th — Tampa, FL — Orpheum*


Saturday, June 20th — Atlanta, GA — Variety Playhouse*


Sunday, June 21st — Nashville, TN — Brooklyn Bowl*


Tuesday, June 23rd — Birmingham, AL — Saturn*


Wednesday, June 24th — Charlotte, NC — Visulite Theatre*


Thursday, June 25th — Raleigh, NC — Lincoln Theatre*


Friday, June 26th — Richmond, VA — The National*


Saturday, June 27th — Washington, DC — 9:30 Club*




31.01.2020 news

The Unraveling Is Happening…

Drive-By Truckers new studio album The Unraveling is in stores today! Buy it now at your favorite indie record shop, direct from the band’s webstore, or at a variety retailers here:


Buy / Stream: Drive-By Truckers – The Unraveling (link – http://smarturl.it/zqk7it)


The album has been met with fantastic press from The Guardian (“fantastic” / 5 stars), Sound Opinions (“another masterpiece”), Uncut (“Tremendous” / 4 stars), Mojo (4 stars), The Chicago Tribune and more. The band will kick off the release with an event at Rough Trade in Brooklyn on Saturday February 1st before starting their tour in earnest next month. All dates below, along with the lyric video for “Thoughts and Prayers”.




Tour Dates:



13 – Athens, GA – 40 Watt Club

14 – Athens, GA – 40 Watt Club

15 – Athens, GA – 40 Watt Club

18 – Carrboro, NC – Cat’s Cradle

19 – Charlottesville, VA – Jefferson Theater

21 – New York, NY – Webster Hall

22 – Boston, MA – Somerville Theatre

23 – Portland, ME – State Theatre

25 – New Haven, CT – College Street Music Hall

27 – Philadelphia, PA – Union Transfer

28 – Washington, DC – 9:30 Club

29 – Washington, DC – 9:30 Club



12 – Indianapolis, IN – The Vogue

13 – Chicago, IL – Metro

14 – Palace Theatre – St. Paul, MN

17 – Commodore Ballroom – Vancouver, BC

18 – Seattle, WA – The Showbox

20 – Portland, OR – Wonder Ballroom

21 – Portland, OR – Wonder Ballroom

22 – Arcata, CA – Van Duzer Theatre

24 – Petaluma, CA – Mystic Theatre

26 – San Francisco, CA – The Fillmore

27 – Los Angeles, CA – The Regent Theater

28 – Phoenix, AZ – The Van Buren

31 – Albuquerque, NM – El Rey Theater



2 – Dallas, TX – Granada Theater

3 – Austin, TX – Scoot Inn

4 – Austin, TX – Scoot Inn

16 – Asheville, NC – The Orange Peel

17 – Asheville, NC – The Orange Peel

18 – Charleston, NC – High Water Festival *

21 – Winston-Salem, NC – The Ramkat

23 – Lexington, KY – Manchester Music Hall

24 – St. Louis, MO – The Pageant

25 – Nashville, TN – Ryman Auditorium

27 – Pensacola, FL – Vinyl Music Hall

28 – Orlando, FL – The Plaza Live

29 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall


1 – Birmingham, AL – Iron City

2 – Atlanta, GA – Shaky Knees *



1 – Raalte, NL – Ribs and Blues

3 – Dublin, IE – Vicar Street

5 – Leeds, UK – Irish Centre

6 – London, UK – O2 Forum

7 – Amsterdam, NL – Paradiso

8 – Antwerp, BE – De Roma

9 – Koln, DE – Kantine

11 – Berlin, DE – Kesselhaus

12 – Copenhagen, DK – Amager Bio

13 – Stockholm, SE – Sthlm Americana *

14 – Oslo, NO – Rockefeller

15 – Arhaus, DK – Train

28.01.2020 news

Margaret Glaspy Announces New Album ‘Devotion’ Out March 27


On Tour This Spring, Including Brooklyn, Los Angeles, Chicago, SXSW, Mexico’s Corona Capital Festival


Brooklyn singer-songwriter Margaret Glaspy is returning with her highly anticipated new album Devotion, due out March 27. Devotion is Glaspy’s first full-length since her acclaimed debut 2016 Emotions and Math and marks an entirely new sonic chapter for her. Glaspy has built a reputation as a skilled guitarist, and Emotions and Math was notable for its swaggering electric guitar sounds; on Devotion she shifted gears and built songs with completely different instrumentation as their base. The results – co-produced with Los Angeles’ Tyler Chester – are rich, sweeping, and melodic, a fittingly enchanting sound for a collection of 12 love songs. “It’s about letting love in even when you don’t know what will happen when you do,” says Glaspy. “It’s about devoting your heart to someone or something, against all odds.”


Devotion‘s first single “Killing What Keeps Us Alive” and its gorgeous video, shot by Alex Chaloff, is out now. Watch the video below and pre-orderDevotion HERE.


Watch the Video for First Single “Killing What Keeps Us Alive” Below


Margaret Glaspy emerged as an audacious new musical presence in 2016, with the New Yorker praising her “extraordinary voice” and the New York Times hailing her as “a singer-songwriter who specializes in giving her confessional tunes a distorted crunch.” Upon Emotions and Math‘s release, Stereogum labeled Emotions and Math “a bold and career-defining debut” and called Glaspy “one of the year’s most exciting breakout acts,” while Pitchfork raved, “These songs share the self-scrutinizing intimacy of Elliott Smith and the imaginative melodic intonations of Joni Mitchell … Glaspy is a lyricist who can toggle between distanced storytelling and open-hearted self-examination with equal ease.”


Today Glaspy also announces a spring tour in the UK and North America, including Los Angeles, Chicago, and two hometown shows at Brooklyn’s Bell House. She will also appear at SXSW in Austin in March and Guadalajara’s Corona Capital Festival alongside The Strokes, Kings of Leon, Blondie, and more in May. All live dates are below.



3/16-22: SXSW – Austin, TX

3/27: Mono – Glasgow, UK

3/28: Institute – Manchester, UK

3/29: Fleece – Bristol, UK

3/31: Lafayette – London, UK

4/12: The Met RI – Pawtucket, RI

4/13: Paradise Rock Club – Boston, MA

4/14: The Bell House – Brooklyn, NY

4/15: The Bell House – Brooklyn, NY

4/16: Underground Arts – Philadelphia, PA

4/17: 9:30 Club – Washington, DC

4/20: Higher Ground Showcase Lounge – Burlington, VT

4/21: Opera House – Toronto, ON

4/22: Mr. Smalls Theatre – Millvale, PA

4/24: El Club – Detroit, MI

4/25: Thalia Hall – Chicago, IL

4/26: High Noon Saloon – Madison, WI

4/27: First Avenue – Minneapolis, MN

4/28: The Mill – Iowa City, IA

5/01: The Crocodile – Seattle, WA

5/02: Fox Cabaret – Vancouver, BC

5/03: Aladdin Theater – Portland, OR

5/05: Great American Music Hall – San Francisco, CA

5/06: Harlow’s – Sacramento, CA

5/08: Belly Up Tavern – Solano Beach, CA

5/09: Teragram Ballroom – Los Angeles, CA

5/16-17: Corona Capital Festival – Guadalajara, MX


margaretglaspy.com | Facebook | Twitter | Instagram

27.01.2020 news

Rodrigo y Gabriela Win GRAMMY For Best Contemporary Instrumental Album








Acclaimed guitar virtuosos Rodrigo y Gabriela won the GRAMMY for Best Contemporary Instrumental Album at the 62nd GRAMMY Awards ceremony yesterday. The award was given for Rodrigo y Gabriela’s latest album Mettalvolution, their fifth studio album and first in five years. It was the duo’s first-ever Grammy win.


“We are incredibly thankful,” says Gabriela Quintero. “This is quite a moment for us. We are grateful for this opportunity to share this Grammy with our families and fans all over the world, with a big hug and also to our potential fans! After 20 years, and having played all over the world, even for President Obama in The White House, there was something missing — a Grammy. We finally got it. Rodrigo and I are people that care about many of the challenges that we are facing as a species. Mettavolution is an album about change and growth. Through music, we truly believe that we can share, at an emotional level, healing and to bring about ideas that might help to solve a lot of those challenges. We wanted to create something as unique as possible. It is important for us to feel that we are contributing something with our music. The way we perform, the way we write and produce our albums; it has been a lot of years of hard work and it feels great. A special start to the new decade, it will make us even more inspired. This is the cherry on the cake. Thank you to the Academy. Winning a Grammy will help give us a louder voice to reach more people. Thank you to our management, label partners all over the world. Keep connected everyone, we are connected with you through our music.”


“The most amazing part of winning a Grammy is the huge sense of happiness that goes around between people we love and people that love us,” says Rodrigo Sanchez. “I hope to go beyond the recognition itself to use it for something positive that can transform as many stories as possible. To all the fans around the world for supporting our music – we love you all and we can’t wait to go back to work to keep making music that inspires you.”




Mettavolution marks the most ambitious music of Rodrigo y Gabriela’s remarkable two-decade career. Three years in the making, the LP embraces the duo’s passionate interest in Buddhism, the history of human evolution, and the liberation of the potential we have as a species, all expressed through the medium of two acoustic guitars. Conceived and composed in their studio in Ixtapa on the Mexican Pacific Coast, the music of Mettavolution was road-tested around the world on tour in 2017 and 2018 before being recorded late last year in Los Angeles with multiple GRAMMY-winning producer Dave Sardy (Oasis, LCD Soundsystem, A Perfect Circle, Band of Horses) behind the board.


Mettavolution gathers six white-hot new Rodrigo y Gabriela compositions – much of which acknowledge the duo’s thrash metal roots back in Mexico City – as well as an inspired, side-long cover of Pink Floyd’s sprawling “Echoes” – originally found on 1971’s MEDDLE – audaciously reimagined for two acoustic guitars. Rolling Stonerecently hailed the 19-minute epic as a “Song You Need to Know,” noting, “(‘Echoes’) is such a signature song, it’s hard to imagine anyone else doing it justice, yet somehow the Mexican acoustic-rock duo Rodrigo y Gabriela landed on a brilliant interpretation… Like the original, the song is its own journey, and it’s beautiful.” “(Rodrigo y Gabriela) make (‘Echoes’) entirely their own,” wrote NPR Music, “turning the original version’s extended psych-jam and terrifying atmospherics into percussive knocks on their guitars and strings and other strange, tactile effects. It only gets better and more breathtaking the deeper you get into the track.”


Rodrigo y Gabriela have been traveling the world in support of Mettavolution, and today are announcing new tour dates. All tickets will go on sale this Friday, January 31 at 10am local time. For complete details and ticket information, please visit www.rodgab.com/tour-dates.




MARCH 2020

11 – San Antonio, TX – Majestic Theatre

12 – Sugar Land, TX – Smart Financial Centre at Sugar Land

14 – 15 – Mexico City, Mexico – Vive Latino Festival

18 – Mexico City, Mexico – Teatro Metropolitan

20 – Monterrey, Mexico – Tecate Pa’l Norte Festival *

24 – New Orleans, LA – Joy Theatre

25 – Mobile, AL – Saenger Theatre Mobile

27 – Orlando, FL – Bob Carr Theater

28 – Clearwater, FL – Ruth Eckerd Hall



16.01.2020 news

Watch Black Pumas Perform “Colors” On Fallon

“The duo’s flair for drama is so stirring, they can seem acutely cinematic… Burton lends an elegant elasticity to Quesada’s tightly layered productions.” – PITCHFORK


“Sam Cooke meets Wu-Tang Clan in the Texas-based duo’s suprisingly fresh take on 70s soul… a debut so perfectly realised by the standards they’ve set themselves that you wonder what could possibly come next. ” – THE GUARDIAN “ONES TO WATCH”


“The breakout band of 2019– NPR “HERE AND NOW”


“Tireless, charismatic energy… tapping the collective unease of the national moment.” – ROLLING STONE


“The world does indeed need Black Pumas and their message right now (4/5 Stars)” – Q MAGAZINE



Watch Black Pumas perform a stunning version of “Colors” last night on The Tonight Show Starring Jimmy Fallon!



Black Pumas played their breakout single “Colors” from their debut album last night to a live studio audience. The duo are set to appear at the GRAMMYs next week following their nomination for “Best New Artist”.


With no signs of slowing down, they’ll be continuing their massive sold out tour through North America, including stops at Red Rocks and Coachella. See dates below for more information.


1/18 – Minneapolis, MN – First Ave
1/20 – Indianapolis, IN – Hi Fi
1/21 – Columbus, OH – Newport Music Hall
1/22 – Detroit, MI – Saint Andrew’s Hall
1/31 – White Oak Music Hall – Houston, TX

3/26 – Chicago, IL – House of Blues
3/27-3/29 – Pelham, TN – Bluegrass Underground
4/12 – Indio, CA – Coachella
4/19 – Indio, CA – Coachella
5/8 – Stubb’s Amphitheatre – Austin, TX (SOLD OUT)
5/9 – Stubb’s Amphitheatre – Austin, TX (SOLD OUT)
5/10 – Stubb’s Amphitheatre – Austin, TX
6/3 – Denver, CO – Red Rocks (SOLD OUT)
6/4 – Denver, CO – Red Rocks
6/17 – Toronto, ON – Danforth Music Hall
6/18 – Pittsburgh, PA – Mr. Smalls Theatre
6/19 – Baltimore, MD – Baltimore Soundstage


09.01.2020 news

Other Lives Return With New Song/Music Video ‘Lost Day’ & Announce New Album ‘For Their Love’ Out April 24

Other Lives, the Oklahoma-bred outfit fronted by Jesse Tabish, are returning with new album For Their Love, due out April 24. The long-awaited follow-up to 2015’s RitualsFor Their Love is a ten-track collection with a nod to the past while progressing positively towards the future.

Pre-Order For Their Love

“The album is a record reflecting human feeling in the current state of affairs — economy and politics on the individual, while the latter still has to deal with the basic struggles of finding meaning of their existence,” says Tabish. “Money, love, and death are always real and hard to cope with: what does the individual choose to make these larger themes of life easier to deal with? The record speaks in realness, questions, observing, lamenting and hopefully finding the slightest of hope in themselves, these characters sometimes venturing out into spiritual, religious or institutionalized endeavors. In my personal hope, only finding their self-worth is more important than anything that has been taught or preached to them.”


The band announced the record and released its vivid first single “Lost Day”alongside a video shot in the A-frame cabin (also featured on the album cover) in Oregon’s Cooper Mountain region where Tabish now lives with his wife Kim, who contributed vocals to the album.




On emerging from Oklahoma back in 2011 with the sweeping, widescreen arrangements and haunting, wistful melodies of their debut album Tamer AnimalsOther Lives (Tabish on piano, guitar, lead vocals; Jonathon Mooney on piano, violin, guitar, percussion, trumpet; and Josh Onstott on bass, keys, percussion, guitar and b/vocals) had an uncanny ability to evoke the wide-open space, big skies and broad horizons of their home state’s prairies. A reignited sense of freedom is palpable throughout For Their Love, whether pared back, sombre resignation, or upbeat, rousing and liberating. Out of personal and creative uncertainty and recalibration the trio have re-emerged with a pastoral sensation reborn.


Self-produced, the album sees Tabish and his bandmates less inclined to over-finesse. The resultant tracks show the band “trying to capture the vibe of something altogether more instant. I was adamant there would no tricks and nothing to obscure me which I had been doing psychologically and musically,” says Tabish.


Joined again by drummer Danny Reisch, who played on Rituals, the band is bolstered by an array of musicians featuring strings, brass and percussion, as well as Kim Tabish and Onstott contributing choral-style backing vocals reinforcing the overall cinematic feel that permeates the album.



Other Lives – For Their Love

April 24, 2020 – ATO Records


  1. Sound of Violence
  2. Lost Day
  3. Cops
  4. All Eyes – For Their Love
  5. Dead Language
  6. Nites Out
  7. We Wait
  8. Hey Hey I
  9. Who’s Gonna Love Us?
  10. 10. Sideways
13.12.2019 news

Watch Allen Stone perform “Brown Eyed Lover” on ‘Jimmy Kimmel Live!’

Watch Allen Stone perform his hit “Brown Eyed Lover” on last night’s Jimmy Kimmel Live! Incredible high-energy outdoor stage performance. Allen ended up in the crowd by the end of the song, singing face-to-face with some of his biggest L.A. fans! “Brown Eyed Lover” now has more than 12 million total streams.




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