New Hurray For The Riff Raff Album ‘The Navigator’ out Now! Watch Daily Show Performance + Read NY Times Feature
On Hurray for the Riff Raff’s new album The Navigator (out March 10 on ATO Records), Alynda Segarra tells an interwoven, cinematic story of a wandering soul at a crossroads of identity and ancestral weight. It finds a street kid named Navita traversing a perpetually burning city in search of herself. The Navigator is a thrilling call to arms that could not come at a more crucial time. It also finds Hurray for the Riff Raff at its own musical intersection, delving deep into the worlds of Latin rhythms, searing rock, and incisive ballads.
“The Navigator” is now available at the band’s official store, iTunes and Amazon.
Read The New York Times‘ in-depth profile of Alynda HERE, and watch Alynda’s interview and performance on The Daily Show with Trevor Noah below. Tune in to CBS This Morning on March 11 and CONAN on March 13 to catch her performing new songs from The Navigator:
Watch Alynda’s interview and performance with Democracy Now‘s Amy Goodman:
The Navigator was produced by Paul Butler (Michael Kiwanuka, St. Paul and The Broken Bones, Devendra Banhart) and recorded at Electric Lady Studios in NYC and Panoramic House in California. The album features percussionists Juan-Carlos Chaurand, Gregory Rogove (Rodrigo Amarante), a trio of Bomba drummers, and Doo Wop singers from New Jersey.
Says Alynda: This is dedicated to the water protectors of Standing Rock – thank you for your bravery and giving us hope. Also, to the people of Peñuelas, Puerto Rico, who are demanding an end to the AES dumping of coal ash which leads to water contamination – we are with you.
All over the world there are heroes, who, despite suffering generations of oppression, are protecting the land and the future of our humanity. Rican Beach is a fictional place, but it was written with my ancestors in mind. It’s time to call on yours and to always remember: this land was made for you and me.
Hurray for the Riff Raff will tour extensively in 2017 and have announced a spring tour in support of the album, full list of dates below.
2. Living In The City
3. Hungry Ghost
4. Life to Safe
5. Nothing’s Gonna Change Girl
6. The Navigator
7. Halfway There
8. Rican Beach
9. Fourteen Floors
March 20 – Leeds – Brudenell
March 21 – Manchester UK – Deaf Institute
March 22 – London UK – The Dome
March 23 – Winchester UK – The Railway Inn
March 25 – Brighton UK – Sticky Mikes
March 28 – Brussels BE – Rotonde
March 29 – Hamburg DE – Hakken
March 30 – Berlin DE – Gruener Salon
March 31 – Munich DE – Milla
April 2 – Munster DE – American Series – Pumpenhaus
April 3 – Rotterdam NL – Rotown
April 4 – Utrecht NL – EKKO
April 5 – Groningen NL –Vera
April 15 – Middlebury, VT –Middlebury College
April 16 – Northampton, MA – Academy of Music
April 18 – Cambridge, MA – Sinclair
April 19 – Cambridge, MA – Sinclair
April 20 – New York, NY – Bowery Ballroom
April 21 – Philadelphia, PA – World Café (downstairs)
April 23 – Washington, DC – 9:30 Club
April 24 – Cincinnati, OH – Woodward Theater
April 25 – Cleveland, OH – Beachland Ballroom
April 27 – Detroit, MI – Magic Bag
April 28 – Chicago, IL – Thalia Hall
April 29 – Madison, WI – High Noon Saloon
April 30 – Minneapolis, MN – Fine Line Music Café
May 2 – St. Louis, MO – Old Rock House
May 3 – Nashville, TN – Mercy Lounge
May 4 – Birmingham, AL – The Saturn
May 5 – New Orleans, LA – Civic Theatre
*All US dates w/Ron Gallo
Benjamin Booker has shared details for his new album ‘Witness,’ out June 2nd on ATO Records. The title track, Booker’s most profound and incisive song to date, features a guest vocal by Mavis Staples, and is available now via NPR, which notes that “The New Orleans-based songwriter — who’s favored a sound like the blues, soul and rock ‘n’ roll mixed with gasoline and a lit cigarette — leans into more explicitly gospel territory here, letting his strepitous guitar take a backseat to an upright-piano melody and choral harmonies.”
On ‘Witness,’ Booker has created his most ambitious work yet by digging deep into his passion for eccentric soul, R&B, and blues – drawing on everything from William Onyeabor’s 70s African psych-rock to Freddie Gibbs and Pusha T, while never straying too far from the garage-punk intensity that made his self-titled 2014 debut such a creative breakthrough. The album’s ten new, original tracks were all written by Booker, produced by Sam Cohen (Kevin Morby), and mixed by Shawn Everett (Alabama Shakes).
Booker will tour extensively behind ‘Witness,’ including a stop in Austin next week for SXSW.
1. Right On You
3. Witness (feat. Mavis Staples)
4. The Slow Drag Under
5. Truth Is Heavy
8. Off The Ground
10. All Was Well
With over twenty years and ten albums to their name, Texas alt-country stalwarts Old 97’s are excited to release their eleventh LP, Graveyard Whistling out today. The album was recorded in the same Tornillo, Texas studio as their major label debut back in 1996, Too Far To Care. “[Too Far To Care] is the sound that best defined us,” says Rhett Miller, the lead singer and primary songwriter. “It was a really magical time, and we go back to it a lot in our collective memory.” And so when it came time for the band—which still consists of the same four members: Miller, guitarist Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples—to record their newest endeavor, producer Vance Powell brought up the idea of returning to Tornillo. “We knew instantly that it was the perfect move,” says Miller.
Order now and choose from 4 different vinyl colors (buy them all): Official Store | iTunes | Amazon
While there are new collaborators on Graveyard Whistling, including Nicole Atkins and Butch Walker, there aren’t more than a handful of bands in history who can claim to have an intact, unchanged line-up as they approach twenty-five years together. There is, of course, no real blueprint or rulebook for sustaining the kind of chemistry that Miller, Bethea, Hammond, and Peeples enjoy.
“I think our longevity can be attributed primarily to our friendship and ability to overcome those moments when egos want to overtake and obliterate everything in their path,” says Miller. “We experienced the hype of the old business model, with all of its excess and idiocy, and also the deconstruction of that model and the advent of the new world, and been able to maintain a fundamental love for each other.
2/25 – Ponte Verde, FL – Ponte Verde Concert Hall
2/26 – 3/2 – Outlaw Country Cruise
3/2 – St. Petersburg, FL – The State Theatre
3/3 – Tallahassee, FL – Fifth and Thomas
3/4 – Atlanta, GA – Terminal West
3/18 – Greeley, CO – Moxi Theater
3/19 – Billings, MT – Pub Station
3/20 – Missoula, MT – Top Hat Lounge
3/21 – Seattle, WA – Neumos
3/22 – Portland, OR – Wonder Ballroom
3/23 – Eugene, OR – Wow Hall
3/24 – San Francisco, CA – The Fillmore
3/25 – San Luis Obispo, CA – The Fremont Theater
3/27 – Reno, NV – Cargo Concert Hall
3/29 – Hermosa Beach, CA – Saint Rocke
3/30 – Los Angeles, CA – The Fonda Theatre
3/31 – Solana Beach, CA – Belly Up Tavern
4/1 – Big Bear Lake, CA – The Cave Big Bear
4/2 – Las Vegas, CA – Vinyl
4/4 – Flagstaff, AZ – The Museum Club
4/5 – Scottsdale, AZ – Livewire
4/6 – Santa Fe, NM – Santa Fe Brewing Co.
4/7 – Lubbock, TX – The Blue Light
4/8 – Dallas, TX – Old 97’s County Fair
4/21 – Lindale,TX – Love and War in Texas
4/22 – Driftwood, TX – Old Settler’s Festival
5/1 – Northampton, MA – Iron Horse Music Hall
5/2 – Philadelphia, PA – Union Transfer
5/3 – Asbury Park, NJ – The Wonder Bar
5/4 – Cambridge, MA – Sinclair
5/5 – Cambridge, MA – Sinclair
5/6 – New York, NY– Irving Plaza
5/7 – York, PA – Strand Capitol Performing Arts Center
5/8 – Buffalo, NY – Tralf Music Hall
5/9 – Millvale, PA – Mr. Smalls Theater
5/10 – Cleveland, OH – Beachland Ballroom
5/11 – Newport, KY – Southgate House Revival Sanctuary
5/12 – Chicago, IL – Thalia Hall
5/13 – Springfield, IL – Boondocks
5/14 – Milwaukee, WI – Turner Hall
5/16 – St Louis, MO – Delmar Hall
5/17 – Louisville, KY – Headliners
ATO Records is excited to announce that it will be hosting its 2017 Official SXSW Showcase on Thursday March 16, 2017 at Cedar Street Courtyard in Austin, TX from 8PM – 2 AM. Five ATO artists with new album releases in 2017 will be performing.
Hurray For The Riff Raff
SXSW Music and Platinum Badges receive primary admission while artist and Festival Wristbands, Film and Interactive Badges receive secondary admission. Single admission as capacity allows.
Benjamin Booker‘s anticipated second album will be released Summer 2017. Booker returns to SXSW after playing the festival in 2014 in support of his acclaimed debut which The New York Times described as “a raucous, unruly mix of punk, blues rock and soul.”
Hurray For The Riff Raff‘s new album The Navigator, out March 10th, finds the band at a musical intersection, delving deep into the worlds of Latin rhythms, searing rock, and incisive ballads. Watch the video for “Hungry Ghost,” the band’s new single that the FADER calls “more than a rock song – it’s an anthem” HERE.
Chicano Batman‘s new songs have been applauded as “blistering, politically-charged throwback” and “breezy Brazilian Tropicalía mixed with early ’70s psychedelic soul and romantic pop,” by Noisey. The band’s highly-anticipated ATO Records debut Freedom is Free is out this Friday. Watch their new video for “Friendship (Is A Small Boat In A Storm)” HERE.
New York City’s Nick Hakim will be releasing his debut album, Green Twins, on May 19th. Hakim’s flavor of “achingly beautiful soul music” (The FADER), can be found in his new single “Bet She Looks Like You” which showcases his dynamic and powerful voice as well as his excitingly experimental approach to neo soul. Listen to it HERE.
Melbourne, Australia’s Slow Dancer, the moniker for singer-songwriter Simon Okely, has just released its new single “Don’t Believe” with a new album due Summer 2017.
NPR Music describes his sound as “a delicate blend of folk and indie R&B, largely inspired by classic blues from the ’60’s and ’70s.” Slow Dancer grew up listening to his parents’ Otis Redding and Wilson Pickett records before discovering the haunting sounds of José González and Nick Drake. Watch the official video for “Don’t Believe” HERE.
Listen to ATO’s SXSW Spotify Sampler HERE.
Thursday March 16, 2017
Cedar Street Courtyard
208 W 4th St
Austin, TX 78701
Doors: 8 PM
Head to NPR Music to listen to a brand new track “Bet She Looks Like You” off of Nick Hakim’s debut album Green Twins, out May 19 via ATO Records. NPR praises Nick’s “gifted voice and indelible guitar playing at the center of the danceworthy prayer” on the track, which is now available to download or stream. You can also watch a live performance of the single below, filmed at Brooklyn’s Market Hotel by ATO Records x Out of Town Films.
Pre-order Green Twins and instantly download “Bet She Looks Like You”. Pre-order on vinyl, cd, or cassette from the official store and you’ll receive a free zine with notes and lyrics from Green Twins:
Official Store | iTunes | Amazon
Nick Hakim‘s debut full-length album Green Twins follows his breakthrough Where Will We Go, Pt. I & II EPs that were self-released on his Earseed Records and praised by the New York Times, NPR Music and more. Green Twins is an experimental step forward with emotional heft gleaned from his experiences in the years since. Intimate first single “Bet She Looks Like You,” was recorded mostly in the New York-based singer-songwriter’s home bedroom, and was one of the first songs that saw Hakim embrace his new experimental way of songwriting and recording.
Each track on the album peels back a particular aspect of his life. He notes that, “a lot of it is what I was thinking in the moment, very specific songs… many of them are like self-portraits.“ He says of Green Twins, “I also felt the need to push my creativity in a different way than I had on the EPs.” The record draws from influences spanning Robert Wyatt, Marvin Gaye and Shuggie Otis to My Bloody Valentine. “We wanted to imagine what it would have sounded like if RZA had produced a Portishead album. We experimented with engineering techniques from Phil Spector and Al Green’s Back Up Train, drum programming from RZA and Outkast, and were listening to a lot of The Impressions, John Lennon, Wu-Tang, Madlib, and Screaming Jay Hawkins.”
(The FADER – “Gen F”)
The story of Green Twins truly began when, armed with the masters for his EPs, Hakim moved from Boston to Brooklyn, spending his time fleshing out unfinished ideas in his bedroom. He came up with lyrics on the spot, recording sketches and lyrics on voice memos and a four-track cassette recorder. From there, Green Twins came about as a sum of its parts: Hakim took the demo recordings to studios in New York City, Philadelphia and London, and built on them with engineers including Andrew Sarlo (bass, engineering, production), keeping the original essence of the songs intact. Sarlo notes that, “for other artists, a demo serves as a potential shape the song could form into. But for Nick, demos are more like creating a temple: a sanctuary that now we have to go into and somehow clean, furnish, and get ready for other people to experience the sermon in.”
Hakim’s debut comes as the culmination of years chiseling his skills as a musician. Hailing from Washington, D.C., he grew up in a musical household—his older brother introduced him to bands like Bad Brains and Nirvana, and his parents exposed him to Nueva canción—while he set out on his own to discover the DC music scene. He didn’t take an interest in learning an instrument until high school, when he taught himself to play the keys. After graduation, he moved to Boston to continue his study of music. In the time since moving to Brooklyn and setting to work for three years on Green Twins, he embraced the live circuit, both as a solo musician and with his band, whom he’s brought together from within his community in Boston and New York.
With Green Twins, Hakim plans to tour through the beginning of the year (see tour dates below), and hopes that folks will connect with the songs he’s written. “I think everybody feels insecure about certain things and everybody has lost people dear to them. I think I’m writing about common things that people feel,” he says. “I think I’m very grateful for anybody that’s listening or wants to be a part of my little world that I’ve created through song.”
“his delicate guitar work and hazy harmonies make him a singular and vital presence in the genre. His 2014 EPs have been exercises in restraint, drenched in liquor and physicality.” – New York Times
“Nick Hakim makes soulful music that feels lovingly dreamy and hopelessly bleary at once… his layered vocals swim across each other and send shivers down your spine.” – NPR Music
“moody, gorgeous voice suits a sweaty summer night.” – New York Magazine
“Exceptional debut… emotionally rich and runs the gamut of R&B, jazz, folk and Motown, taking cues from greats like Marvin Gaye and Harry Nilsson” – Interview Magazine
“Nick Hakim’s music is an intimate conversation, vulnerable and bewitching–R&B born of the blues’ sensibility for soul-bearing.” – Pigeons & Planes
NICK HAKIM TOUR DATES
Feb 13 The Lexington – London, UK – SOLD OUT
Feb 23 Milk Boy – Philadelphia, PA
Feb 24 Blue Note – New York, NY
Feb 25 Songbyrd – Washington, DC
Mar 03 Monty Hall – Jersey City, NJ
Mar 04 Union Pool – Brooklyn, NY
Mar 08 El Club – Detroit, MI
Mar 09 Schubas – Tavern Chicago, IL
Mar 10 Blueberry Hill – St. Louis, MO
Mar 11 Proud Larry’s – Oxford, MS
Mar 13 Gasa Gasa – New Orleans, LA
Mar 14 White Oak Music Hall Upstairs – Houston, TX
Mar 19 Valley Bar – Phoenix, AZ
Mar 21 Voila! Gallery – Los Angeles, CA
Mar 22 Brick & Mortar – San Francisco, CA
Mar 24 Doug Fir Lounge – Portland, OR
Mar 25 Alexander Gastown – Vancouver, BC
Mar 26 Barboza – Seattle, WA
Mar 29 7th Street Entry – Minneapolis, MN
Mar 30 The Back Room – Milwaukee, WI
Mar 31 Hi-Fi – Indianapolis, IN
Apr 01 Club Café – Pittsburgh, PA
Apr 19 The Dome – London, UK
Apr 20 Le Pop Up du Label – Paris, FR
Apr 22 Studio 672 – Cologne, DE
Apr 23 Bitterzoet – Amsterdam, NL
Apr 25 Berghain Kantine – Berlin, DE
“[‘Don’t Believe’ is a] soulful serenade to a detached lover, it blends laid-back drums, soft guitar and fuzzy, plucky synthesizers to make a smooth ’70s sound.” – NPR
We are excited to announce that Australia’s Slow Dancer has signed with ATO Records!
To celebrate the signing, Slow Dancer shares a cinematic music video for his effortlessly alluring track “Don’t Believe.” Watch the video via NPR’s “Songs We Love” HERE, and be prepared to have this intoxicating song stuck in your head.
Slow Dancer will make his U.S. debut next month, with performances in New York City, Los Angeles, and SXSW (schedule forthcoming.) He will also perform in London. See below to find a show near you.
Okely has been writing, recording and independently releasing music under the moniker Slow Dancer since 2014, and is gearing up to release his sophomore album with ATO this Spring. Crafting warm, soulful music with delicate vocals, golden guitar tones, and grooving beats, Slow Dancer is inspired by the music of his childhood and memories of long country drives through Western Australia listening to his parents’ rhythm and blues records. His music is deeply personal and irresistibly wistful, calling upon the likes of Jose Gonzales, Kings of Convenience, and Fleetwood Mac.
3/14-19/17 Austin, TX @ SXSW
3/20/17 Los Angeles, CA @ The Echo
3/23/17 New York, NY @ Rockwood Music Hall
3/29/17 London, UK @ The Waiting Room
“Rodrigo y Gabriela” returns with a new re-master and previously unreleased live album and DVD to be released March 31st. Watch and share “Satori (Live at the Olympia Theatre” via Consequence of Sound, and pre-order the deluxe album HERE.
Mexico City’s Rodrigo y Gabriela originally released their self-titled breakthrough album in 2006 and are now excited to announce a 10year anniversary deluxe edition for 2017 that will be released on March 31st via ATO Records. The deluxe edition will include a 2-LP set including both a re-mastered version of the original album and a 2006 performance, live from Olympia Theatre in Dublin.
Affectionately known to fans as “the Crocodile album”, the original record has sold nearly one million copies worldwide and the global success of the album, together with endless touring, established Rod & Gab as one of the most popular acoustic instrumental artists in the world.
They made worldwide TV appearances on David Letterman, Jools Holland and Austin City Limits among others, and have sold out tours of America, UK, France and Japan, including festival appearances at Bonnaroo and Glastonbury and multiple nights at the Royal Albert Hall, Hammersmith Apollo, Le Zenith (France), Red Rocks Amphitheatre, Radio City Music Hall (NYC) and the Hollywood Bowl.
“We are busy at work on our new record, but looking back at this album, it’s good to be reminded of how far we’ve come in ten years,” said Rodrigo. “We had some crazy times in Ireland, and made many great friends there,” added Gabriela. “The fans are so passionate about music, this is a thank you to them and our time in Dublin.”
Rodrigo y Gabriela was produced by John Leckie (My Morning Jacket, Radiohead, The Stone Roses) and mastered by Robyn Robins, who also did the re-master. The CD format will be a two CD + one DVD set including the re-mastered album, the live set and a concert film of the live set. The vinyl version will be a double album on 180-heavyweight vinyl. Pre-order it HERE.
We are very excited to welcome LA’s psychedelic soul masters Chicano Batman to the ATO family! You may have seen the band on tour recently with Alabama Shakes and Jack White or at festivals like Coachella and Bonnaroo Music and Arts Festival. The new Chicano Batman album Freedom Is Free is out now.
Get “Freedom Is Free”: Official Store | iTunes | Amazon
Chicano Batman came out of L.A., four young men in vintage formalwear, playing songs that blended Brazilian Tropicalía with early ’70s psychedelic soul and the romantic pop of bands like Los Ángeles Negros. It was an immediately addictive sonic brew, and their reputation grew fast. Now, they’re making their boldest statement yet with Freedom Is Free.
Get “Freedom Is Free”: Official Store | iTunes | Amazon
Freedom Is Free reflects Chicano Batman’s decision to foreground the soul and R&B elements of their sound. To achieve their ambitious sonic goals, the quartet worked with producer Leon Michels (El Michels Affair, The Arcs) in his Diamond Mine Recording studio in Long Island City, NY. Michels, a veteran in the New York soul scene, has performed in Sharon Jones & the Dap Kings, The Black Keys and The Menahan Street Band. In addition to tracking the album to analog tape, Michels contributed keyboards and his trademark horn arrangements (he’s been sampled by Jay-Z and Ghostface Killah). The partnership between Michels and Chicano Batman truly captures the band’s live energy and brings their aesthetic goals to life.
UPCOMING CHICANO BATMAN TOUR DATES
Feb 23 – Seattle, WA – The Crocodile #
Feb 24 – Portland, OR – Star Theater #
Feb 25 – Eugene, OR – HiFi Music Hall #
Feb 26 – Arcata, CA – Arcata Theatre Lounge #
Mar 01 – Sacramento, CA – Harlow’s #
Mar 02 – San Jose, CA – The Ritz #
Mar 03 – San Francisco, CA – The Fillmore #
Mar 13 – Albuquerque, NM – Launchpad $
Mar 19 – Houston, TX – Warehouse Live Studio $
Mar 21 – Atlanta, GA – The EARL #
Mar 22 – Asheville, NC – The Mothlight #
Mar 23 – Chapel Hill, NC – Local 506 #
Mar 24 – Charlottesville, VA – The Southern #
Mar 25 – Washington, DC – Rock & Roll Hotel #
Mar 27 – Burlington, VT – Higher Ground Showcase Lounge #
Mar 28 – Boston, MA — The Sinclair #
Mar 31 – New York, NY – Bowery Ballroom #
Apr 01 – Philadelphia, PA – The Foundry @ The Fillmore #
Apr 02 – Pittsburgh, PA – James Street Ballroom #
Apr 04 – Toronto, ON – The Velvet Underground #
Apr 05 – Detroit, MI – El Club #
Apr 06 – Grand Rapids, MI – The Stache @ The Intersection #
Apr 07 – Chicago, IL – Lincoln Hall #
Apr 08 – St. Louis, MO – The Firebird $
Apr 10 – Denver, CO – Bluebird Theater $
Apr 11 – Santa Fe, NM – Meow Wolf $
# w. 79.5
$ w. The Shacks
All dates w. SadGirl
ATO Records was proud to have 5 of our young stand out artists this year at SXSW, including Benjamin Booker, Hurray For The Riff Raff, Chicano Batman, Nick Hakim and Slow Dancer. Each artist brought new songs to Austin’s Cedar Street Courtyard Thursday night at the festival. See below for photos by Nicole Fara Silver.
Hurray For The Riff Raff